
Built from scrap reinforcement bars, wire, and metal, the sculptures by artist Ricardo Breceda fill the Anza Borrego desert. The artwork was commissioned by Dennis Avery, a multimillionaire and heir to Avery Dennison, one of the world's largest labeling companies.
Ultimately, Avery said the goal is to build a "creature desert" on 3 contiguous square miles of land he owns around Borrego Springs. He said he bought the land in the mid-1990s in the wake of the savings and loan crash. Though he did not particularly desire a "bunch of desert," Avery said he got an offer too cheap to refuse.
"I didn't put up 'No Trespassing' signs. There are flowers out there," Avery said of an area that draws scores of tourists every spring for its wildflower blooms.

The sculptures represent the prehistoric (and modern-day) animals that once called this desert home.

Run little horsie!!

Oh No! (I can't look, tell me when it's over....)

He uses various sized hammers, from screwdrivers to sledgehammers, to pound texture into the patches of metal he welds into animals.

This mama eagle, nest and baby stand over 20 feet tall and 30 feet wide!

Made of waffle-sized pieces of shaped steel, the sculptures weigh between 800 and 1,000 pounds each and should be able to withstand the harsh winds that sweep through the valley.
“It's just basic rusting steel that gives it a very nice patina (resembling) hide,” Avery said. “It looks like hide. In a year it will be even more so because it will rust over.”

Avery figures by the end of the year he will have commissioned more than $100,000 worth of the sculptures that will be anchored in concrete all over his property, which he calls Galleta Meadows.
“I'm just going to spray them around town,” he said. “I want it to be a surprise every time. I'd like people to drive by and say:
'Oh my goodness, what's that?' ”
'Oh my goodness, what's that?' ”
The groupings will be free-standing art, without interpretive signs.
“If I make an exhibit with stalls and explanations, then you become like a museum and you get subject to regulations and all of a sudden you have committees telling you what to do,” Avery said.

"The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life." ~William Faulkner















































